DELERIUM
NUAGES DU MONDE

ALBUM NETTWERK (USA), PLAYGROUND (SCANDINAVIA) RELEASE: OCTOBER 2 (EUROPE), OCTOBER 3 (NORTH AMERICA), 2006 REVIEW: AUGUST 30, 2006


The ground beneath our feet is moving. Slowly and inevitably huge tectonic plates shift under us, creating new continents. Nature’s power is immense, and the instrumental “Tectonic Shift” actually illustrates this well with its slow, menacing and powerful feeling. The steady and sparse beat comes with harrowing strings and piano and it’s absolutely wonderful. Especially when it takes a surprising turn into a major key towards the middle. It’s one of the best tracks ever to come from Leeb and company.

Reports have said that “Nuages Du Monde” (“Clouds of the World”) is a return to the older sound of Delerium, a bit like the masterpiece “Karma”. This is true to a certain extent, but we still get pop songs, albeit slightly more sophisticated.

Bill Leeb is once again joined by Rhys Fulber, as well as the usual array of female singers, this time Kirsty Hawkshaw, Kristy Thirsk, Jaël, Isabel Bayrakdarian, Zoé Johnston and Medieval Baebes. Indian punjabi singer Kiran Ahluwalia gives an eastern feeling to the fourth track “Indoctrination”; a brash, upbeat number that puts a smile on my face.

In fact, it’s on this track the album starts for me, as the first three songs are a bit more so-so. From here on out, it’s smooth sailing though, and I think this is better than both “Poem” and “Chimera”. I’m a bigger fan of the instrumentals, so I would have preferred that they didn’t bring in umpteen singers, but that said, I really like the pop gem “Lost and Found” with Jaël. Might be a good choice for a single, actually.

With all the combined talent on “Nuages Du Monde”, it’s not surprising that the production values are immaculate. Warm, precise, and detailed, although some sample re-use can be spotted here and there.

I’m glad that this album is so good, because as you might already know, I’m not the biggest fan of Leeb’s latest Front Line Assembly outing. We’re truly spoiled with two big releases from him this year though, and this one is my favourite.

JOHAN CARLSSON

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