Slow viola pieces pairing male and operatic female vocals make up a large chunk of the work of Attrition, but the streaks of harsher electronic work and purely ambient music strike me as the most intriguing part of the legacy. Hearing how many strings Bowes has on his lyre makes you wonder why the variation hasn't been greater on his albums of the last ten years. Wonder, and hope that this collection leaves a clean slate for a brave new world of sound. MATTIAS HUSS
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Attrition
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