|
GIRLS
UNDER GLASS
CYKLUS
ALBUM
CELLAR DOOR, DEPENDENT RELEASE:
JANUARY 31, 2005 REVIEW: FEBRUARY
18, 2005
|
This
album really did nothing
for me the first few listens through
and it still is pretty average
when you consider what's going
on. Imagine if Dance or Die embraced
guitars, simplified their arrangements
and decided to write songs about
growing old, love, darkness and
emotional breakdown. You'd have "Zyklus".
I also wonder just how much influence
Peter Spilles had on their new
work as there is a decidedly Project
Pitchfork tone to more than just
the lead single "Ohne Dich" (featuring
his vocals).
Perhaps it is the
far superior side project Trauma
which makes me feel so conflicted
about it all. "Zyklus" has
evolved for me, at least, into
a truly guilty pleasure. A record
to play when everyone else isn't
around. Perhaps it's because I'm
fiending for a new Sisters album
that the metal-like guitars on
here don't bother me as much as
everyone else I've played this
for. I find myself jauntily rocking
out to tracks like "In Die Einsamkeit" and
yes, as much of a power ballad
as it is, "Whatever Makes You
Happy". The Girls utilize the
guitars on their record as skillfully
as La Floa Maldita do, which you
don't get everyday.
The
aforementioned Trauma seems to
have been assimilated into the
current Girls under Glass sound. "Deliverance", "Wonderworld" and "I'm
Alive" certainly make it appear so.
The female vocals, however, really
could have been done without.
They push some of the songs dangerously
close to hair metal territory.
Watch it.
Ten albums in, Volker,
Hauke and Axel seem to have found
something to focus their collective
talents on. This is an album which
requires a very specific type
of person to enjoy it. Ignore
the press release which speaks
of club hit after club hit; there
is much introspection and soul
searching going on with Girls
under Glass these days. Perhaps
their next album won't take four
years, eh?
PETER
MARKS
|
|
|