LIGHTS OF EUPHORIA KRIEG GEGEN DIE MASCHINEN ALBUM ACCESSION RELEASE: MAY 26, 2003 REVIEW: JUNE 24, 2003

Normally, I wouldn't even have reacted upon a Lights of Euphoria release as I have had my share of disappointments with them, but, like so many other releases this year, "Krieg gegen die Maschinen" is indeed a pleasant surprise. The band has incorporated the assistance of quite a few guests, such as Ronan Harris, Grendel, Davantage and God Module. This, as I see it, is the key to success here, as the use of different vocalists, primarily, makes one of Lights of Euphoria's biggest problems (that of sporting a weak singer) disappear.
Recruiting Gerrit Thomas as co-songwriter for some of the songs also proves to be a stroke of genius. His presence can be heard all over the album's strongest moments, such as the single "True Life", a future pop gem, and "Nothing at All" where stale electro meets catchy pop. The album as a whole can be a bit much to swallow all at once. The sound ranges from synthpop to industrial and radiates quality.
It is the first half of the album that makes it worth your while, as some of the tracks towards the end tend to drag somewhat, sounding more like unfinished demos than anything else. The exception is the Wumpscut tinted "Fly to Target", where the industrial body anger suddenly seems believable. "Krieg gegen die Maschinen" also comes as limited edition (no kidding?) with additional tracks and remixes, but I sincerely believe that this output would have served its purpose best in the form of an EP. And a kick-ass EP it would be.

NIKLAS FORSBERG