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THE
PRODIGY
ALWAYS OUTNUMBERED, NEVER OUTGUNNED
ALBUM
XL RELEASE: AUGUST 23,
2004 REVIEW: AUGUST 17,
2004
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To say that The Prodigy have a lot
of expectations heaped upon them is
an understatement. This album has
taken forever to make, and Liam Howlett
– who is actually the only musician
in The Prodigy these days –
even scratched it completely at one
time, only to start over again. Liam
felt he was stuck in his studio until
he found the music software Reason,
and discovered he could make music
on his laptop wherever he was. According
to an interview, this totally reinvigorated
him and allowed him to finish the
album. Good for Liam, but I’m
not fully happy with the results.
The Prodigy’s albums have always
been filled with so-so tracks amongst
the better ones, and that’s
very much the case here.
The songs here are a mix of electronica,
punk and hip-hop, which could be an
interesting combination. It starts
off in style with “Spitfire”,
a pretty recognizable Prodigy tune
featuring big beats and memorable
shouting. The following track “Girls”
is an eighties-sounding electroclashy
number that’s actually pretty
catchy. From here, things become a
bit shaky, and inviting such has-beens
as actress Juliette Lewis and the
rocking Gallagher brothers doesn’t
do much to entice me either.
However, props to Liam for not just
repeating the old Prodigy sound. It's
not crap, but I can’t find any
real gems here, and many of the tracks
consist only of fixed grooves and
rarely break out into songs.
“Medusas Path” however,
is an interesting instrumental, marred
only by the whining Aphex “Ventolin”-styled
synth lead prevalent throughout it.
”The Way It Is” borrows
heavily from ”Thriller”
by Michael Jackson, and the funk comes
almost entirely from one sample, while
the rest is rather bland.
This is not the old Prodigy, but most
probably this is what’s needed
for them to move on. It's really a
shame that "Always Outnumbered,
Never Outgunned" took so long
to complete. If it had come out four
years ago, it might have been received
differently.
JOHAN
CARLSSON
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