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The four Germanised pranksters from
southern Sweden have lost some of
their irresistible charm this time.
The composing team have started juggling
with pretentiously crafted lo-fi electro,
boosting nothing but the level of
boredom of "Die Quelle".
The debut was hilariously naïve;
at times genuine quality paired with
moments of shameless amateurism. Much
of the comedy of "Metamorphobia"
has been replaced by meaningless house
cluttered trifles on "Die Quelle".
NIKLAS FORSBERG |
