Arvika Festival, Sweden - July 12-14, 2001
Tricky's Arvika gig took place in the middle of his celebrated comeback.
Photo by: Hollywood Records
Will Self's novel "Great Apes" is a hilarious depiction of apes that live
like humans: they wear suits, have jobs and drive cars. But they still have
ape habits, and going to a rock festival often feels more like stepping into
that book than one may wish. People drink themselves senseless, mate like
it's the last days on earth, and it's hard to draw the line between primal
and primate.
"Like chimpansees" was the most often recurring thought in my head during
this year's Arvika Festival. But a little hedonism is always pleasant, so
the only thing to do is kick back and enjoy the ride. The town of Arvika
seems to be cursed by our evil God when it comes to the weather, but
thankfully, the place didn't resort to become the mud fest it was last year.
And there's always the music. The Sisters of Mercy were the first band of
the festival for me, and I was pleased to see that Andrew Eldritch is still
the same arrogant Prince of Smugness he's always been. The Sisters roared
through a set consisting of a large portion of new songs - "We Are the Same
Suzanne" is an instant favourite - but also revisited old songs like "On the
Wire", "Dominion" and a rendition of "Something Fast" that managed to go
straight into even the hardened heart of yours truly. "Temple of Love" was
surprisingly lame, but Eldritch made up for that with an absolutely
fantastic cover of The Ramones' pill classic "I Wanna Be Sedated". A
hilarious mockery of his own goth status, as well as a much-deserved nod of
respect to the tragically deceased Joey Ramone. Hey ho, let's goth!
P J Harvey was if nothing else very loud. Which gave the songs from her tame
last album a much needed raw edge, and suited her manic stage presence.
Shortly after that, Sweden's currently coolest and best band Silverbullit
went through a lightning bolt of a live show. The band is incredibly tight,
and the songs from their recent "Citizen Bird" album were a
rock'n'rollercoaster through damaged minds, Suicide and The Stooges' "Raw
Power". "I Love You" was so vitriolic that even Trent Reznor should be
envious. After that The Orb felt reasonably unengaging, even though their
slo-funk and heavy dub did sound better than expected.
Gary Numan.
Saturday offered three big names in a row: Gary Numan, The Young Gods and
Tricky. Numan strutted around just as cocky as the last time I saw him
perform, but his show never really took off. Probably both due to the
daylight and the fact that he mostly played songs from his last album
"Pure", which were good but not really catchy.
The Young Gods on the other
hand managed to run me over yet another time. "Skinflowers" and "Envoye"
sounded like freight trains accelerating straight into the future and made
every muscle in my worn out body twitch, while the newer, more technoid
material transcended way above its studio counterparts.
Finishing the
festival off for me, Tricky's show was just as schizophrenic as his recorded
output. His live band went through funk, world music vibes, metal riffing,
the splendid Public Enemy cover "Black Steel in the Hour of Chaos", ragga
and much more. It would all had been good if it wasn't for two things:
Tricky's unhealthy obsession with the more horrid parts of American
alternative rock, and his band's tendencies to let the songs go on for a
couple of extra, unnecessary minutes. But still: a good ending to a yet
another enjoyable Arvika Festival.
And that the highlight this year was listening to The Velvet Underground's
"Heroin" whilst finishing off one of that day's beers in the camping area is
completely in order.
KRISTOFFER NOHEDEN