Mr
Jones Machine is a
brotherly affair, with
Jouni and Jarmo Ollila,
together with Magnus
Lindström. With
a rich background in
the Swedish electronic
scene, they now work
together to make an
electric retro voyage
in the form of their
debut album "New
Wave".
Daily
Planet and Pouppée Fabrikk
You
might already know that
two of the members of
Mr Jones Machine have
been involved in several
well-known (in Sweden
at least) projects before.
Jarmo made one of the
best Swedish synthpop
albums ever with Daily
Planet's “The Tide”,
and has also been in
La Vogue. Jouni played
with hard-hitting industrial
act Pouppée Fabrikk
and made some landmark
recordings in the nineties,
while also working with
Spetsnaz member Stefan
Nilsson in the cover
band Volvo 242.
- Me and my brother have always
talked about doing something
together, and when Daily Planet
and Pouppée Fabrikk ended,
we wrote some stuff,
says Jouni. We started out slowly,
trying out ideas before it began
to sound really good. When Magnus
joined in 2003, we really speeded
up.
Magnus
is not as well known as
the brothers, but has worked
with music in “his
bedroom” so to speak,
for a long while.
- I tried playing in a couple
of constellations a long time
ago. However, the phenomenal
invention of the portable cassette
mixer replaced the musicians
and I started making music on
my own. Those recordings were
buried with the intention of
re-doing them at a later stage.
A third attempt a couple of years
ago resulted in a number of recordings,
some of which could be heard
at Romo Night on some occasions.
In the closet
Mr Jones Machine make
elegant retro-styled synthpop,
which is quite a big leap from
Pouppée Fabrikk’s
onslaught of basslines, guitars
and beats. Of course, I had to
ask Jouni if he has been a closet
synthpop fan all along.
- Well, synthpop was the first
thing I listened to as a youngster.
The harder stuff came later on,
so you can safely say my biggest
influences came from the early
electronic wave. So I’m
not an EBM guy going soft, rather
the other way around. Mr Jones
Machine is the kind of music
I’ve always wanted to do,
but never got around to.
- My brother and I come from
a musical family, with everything
from accordions, electronic drums
and weird home built devices,
so music has always been present.
- Playing with my brother works
like a charm, says Jarmo. We
had all our fights in the seventies,
so we have kind of put all of
that behind us. We’re like
buddies now.
- Hehe, yes, Jarmo has stopped
stealing my toy cars now, so
we’re cool, laughs Jouni.
Jarmo,
Magnus and Jouni.
Noisy chords, begone!
It’s pretty obvious that
these three lads have a fascination
for old-school synthpop, because
they grew up with it. They listened
to Jean Michel Jarre and Kraftwerk
during the seventies, and later
on when The Human League, Ultravox
and all the others reached Scandinavia
with the British new wave, they
were hooked for good. They explain:
- It was really something new
at the time, and it broke all
the conventions of guitar rock
and pop. Not only in the use
of the synthesizer as main instrument,
but it was also a new sound altogether.
There was something suggestive
and magical with the rhythms
created by the sequencer. And
there was the “synth lead”,
a pure melody played on note
at the time, instead of noisy
chords!
Mr Jones Machine got their name
from a song by Swedish new wave
band Adolphson & Falk, from
their 1982 album "Med rymden
i blodet". The song in question
is called "Mr. Jones' Maskin"
(maskin is Swedish for machine)
and on
the English version of the album,
"From Here to Eternity", released
one year later, the song is not
called "Mr. Jones' Machine" but
"Just a Machine".
New music doesn't seem to go
down as well, and they claim
that the Swedish scene pretty
much started to suck when Elegant
Machinery called it quits. Speaking
of the scene, the Swedish synthpop
mecca seems to be around Gothenburg
for some reason, which is where
two thirds of the band lives.
Jarmo and Magnus can usually
be spotted in the bar or at the
dancefloor of Romo Night and
there is no doubt these guys
are truly in love with the synthpop
tunes of old.
- Skåne was the synthpop
nest for a long time during the
nineties, but when Tobbe and
Tony started the new romantic
club Romo Night in Gothenburg
in 1996, Gothenburg was placed
on the map as the capital of
synthpop. Stockholm is better
these days, but they have a long
way to go before they reach our
level, says Jarmo.
Absolute hits - not
The album “New Wave” was
recorded in Karlskoga, Sweden,
in Jouni’s studio. The
vocals were recorded in Örebro,
assisted by Spetsnaz singer Pontus
Ståhlberg in his studio.
Since Magnus and Jarmo live in
Gothenburg, they made so-called “pre-demos” there,
and then sent them to Jouni.
The album was then completed
in Jouni’s studio, with
everyone present.
- We started working with the
album in 1998, and slowly shaped
our sound. We did a couple of
gigs to test our material, to
see if we were walking down the
right path. “New Wave” was
completely finished in the spring
of 2004, and we began our search
for the right label. Most labels
wanted us to write “hits”,
which is a shame. It’s
way too easy to write happy hits,
no challenge at all. So, it was
natural for us to work with newly
founded Progress Productions
in Gothenburg, as we spoke the
same language. It’s
sad that the small synth labels
have started to think like the
big ones. They don’t have
the resources or contacts anyway,
so it’s a bit like throwing
your money away. That said, it
might work… But why write
hits?
Splatter!
The title track of the album
sticks out a bit compared to
the other songs, and even though
the band members claim they don’t
have a favourite song, it seems
to be close to their hearts.
Here follows a jumbled story
of how it came to be: The three
of them were sitting in the studio,
and Jarmo was presenting a couple
of songs, while Jouni was criticizing
them. The lyrics for “New
Wave” that Magnus had written
was lying on a keyboard and Jarmo
continued to struggle away with
the string synthesizer. Then
suddenly you could hear Jouni
scream “I’VE GOT
IT!”. He put a “blues
12” in the Atari (sic),
and gave the lyrics to Jarmo.
Two minutes later, the song was
finished, seemingly out of nowhere.
Jarmo, Jouni and Magnus will
concentrate on promoting the
new album for some time, with
gigs all around Sweden. Some
festival gigs might creep in
as well, and some smaller gigs
to keep the public alerted to
their presence.
One of their songs will probably
be featured in a splatter movie
called "Die Zombiejäger",
which might not be what you expect
from a smooth electropop band.
New Mr Jones Machine products
will come in due time, but they
want to ride this wave first. |
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